Not just the pining, spectral voice, not only the baroque pinboard instrumentation, not simply the train-track movement of the dynamic sections, there's a feeling that you're hearing something special. Music written and performed with a deep understanding of what's required to move listeners in 2014. It doesn't sound like it's written for an advert either.
This could be
my favourite clindie track we've heard at GND so far this year.
Find out more about this Newcastle-based quintet right here.
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